Naija Music – The Music Of Nigeria. For anyone individuals not really acquainted with Naija Popular music – here is the sound emanating through the Nigerian Popular music scene. African music is, on the whole, as diverse because the cultures found through the entire continent with every region enjoying its own unique style of music associated with an array of instruments many Westerners are not familiar with.

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Nigerian Popular music includes everything from Folk Well-known music to a lot of the Favorite Common music found throughout the world. There are many indigenous and ethnic peoples in Nigerian – therefore it must not be surprising that each ethnic group enjoys its own unique popular music flavour and instrumentals, poetry and music style.

Are you aware, for instance, that traditional well-known music seen in Nigeria is closely connected to its agriculture, with certain instruments not allowed to be played during various seasons? Labour songs certainly are a common type of indigenous Nigerian common music which will help to maintain the rhythm of workers in fields along with the river canoes (think slave songs from the Deep South).

The story is usually told about the mother cheetah who comes back home from the hunt to locate her cubs have already been trampled to death by elephants. Realizing that she is no match for such giants, she blames and kills a herd of goats. Similarly, when a small group of Kenyan musicians took towards the streets a week ago calling for less Nigerian and Tanzanian music, these were killing goats. The elephant in this case is history. However, not even history is really a match for innovation.

It’s funny, but the country favorite music star Kenny Rogers comes to Kenya today, charge an arm and a leg, and play a month of sold-out stadium gigs. Yet his heyday is in the ‘80s. Exactly the same holds true for top-tier Nigerian acts. Their time, however, is now. Kenya seems predisposed to preferring the foreign, the exotic, the western. At the potential risk of being accused of raising ‘that old trope,’ all of it began using the erosion of our own culture if the colonialists came. Colonialism eroded Kenyan culture I daresay more than it did in West Africa, in Uganda, in Tanzania. Kenya was actually a settler state. The Brits had no plans of going anywhere. Ever. As well as in their assistance, and under duress, we threw the culture baby out with the pagan bath water and planted the Church as well as the Union Jack on the scene in the crime dressed up in mandatory, state-issued calico cloth threatened from the both mental and physical whips of our settler masters. And when the newest government in independent Kenya clamped down on the Funk movement in the late 70s in addition to all other artistic expression, threatening and jailing academics in the universities and strangling the media, we shrunk into our cocoons, allowing ourselves instead to get satiated and sedated by the likes of ABBA, The Bee Gees as well as the Beatles. Homegrown innovation have been dealt a blow that will take us decades to recuperate from. I used to be born middle-class (and English-speaking) in the ‘70s. My predilection for those things Western was established early in life. I would personally be irritated, nay embarrassed, when I’d return home from school and discover the housekeeper blasting ‘that shady Rhumba.’ Once I began my favorite music career inside the 90s there weren’t many Kenyan musicians to appear approximately. Anyone that had was able to record anything have been condemned by society to dying, drunk or living poor, a consequence of ‘loose morals and bad choices.’

I’m always slightly embarrassed when I introduce myself to folks I meet round the continent. I’m ‘Eric,’ whilst the South Africans are ‘Kgomotso’; the Nigerians are ‘Olusegun.’ Even whilst the Tanzanians may be ‘Damien’- pronounced ‘Da-mi-YEN’- they speak Kiswahili with your ease and fluidity having studied subjects like Biology in their national language. The Kiswahili language rolls off their tongues like honey to the easy beat of Bongo Flavour, as near that you can reach Zouk singing on dry land. Consequently, in Tanzania, American Idol loses pride of place to Project Bongo, a real possibility show concentrating on homegrown talent. Conversely, urban Kenyans get as far as Sheng, a hybrid of Kiswahili and vernacular ipebrc so diverse that kids from estates separated by as low as a highway have different names for the similar thing. Sheng dictionaries become obsolete once they go to press, owing to the rapidity inside the change of vocabulary. A Sheng speaker can date you to in a year of your birth, locate your home to in a street by the word you make use of for ‘car’ or ‘mobile phone.’ Within the rural areas, Kiswahili is really as foreign as Greek, and is spoken only by those who might have picked it up in school or by those ethnicities whose ethnic language shares a typical Bantu base with Kiswahili, similar to that between Italian and Spanish. We claim to have a national language. Listen again.

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